{"product_id":"v-moha-s-by-t-thilleman","title":"V Moha S by t thilleman","description":"\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003ePRE-ORDER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cstrong\u003eV Moha S\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePraise for t thilleman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe immensity, breadth and dexterity of \u003cem\u003eThree Markations\u003c\/em\u003e is not to be missed. If you can handle the over 600 pages, you will have climbed a mountaintop overlooking the maelstrom of the 21st century. Herein lies a network of thought branching out, congealing, exploding, suspended in time like a large photograph.\u003cbr\u003e     Evan Reynolds, on \u003cem\u003eThree Markations to Ward Her Figure\u003c\/em\u003e, \u003cem\u003eAmerican Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThilleman has a music all his own, sometimes lyrical, sometimes dissonant; pretty consistently surprising. I’ll admit “root-cellar” always sets me thinking of WCW’s “cat” poem—you know, the one with the jam-closet \u0026amp; so forth. But \u003cem\u003eRoot-Cellar\u003c\/em\u003e is very un-Williamsesque: more an assertion—nay, a demonstration—that ruminative, considerative poetry is still possible. \u003cbr\u003e     Mark Scroggins, on \u003cem\u003eRoot-Cellar to Riverine \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe waverings, flurries, gaps and gusts of phrases, by turns recondite and plain, harsh and eloquent, compose a deeply credible kind of spiritual music, appropriately broken, but alive with despair and exaltation. Thilleman pushes composition to the brink of what is, and words are still there, and the promise of things hidden ...\u003cbr\u003e     Joseph Donahue, on \u003cem\u003eThe New Frequency\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNo single note can contain or describe this work, nor is there a quiet sameness which will lull one beyond question. Instead there is a composed concentration in the center of calamitous movement—movement which embodies inquiry, which listens as a means of locomotion, transferring setting to sound, venturing out along many circumstances.\u003cbr\u003e     Laynie Browne, on \u003cem\u003eThree Mouths\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThilleman began to attract attention with his sequence collection \u003cem\u003eWave-Run\u003c\/em\u003e and has continued to mine secrets and depths inherent in language, but often ignored. The magic of words—that they have lives of their own beyond their obvious power to communicate information …\u003cbr\u003e     Theodore Enslin, on \u003cem\u003eWave-Run\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cb\u003ePaperback\u003c\/b\u003e\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Madhat, Inc.\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003eISBN:\u003c\/b\u003e 978-1-952335-94-5\u003c\/p\u003e","brand":"MadHat Press","offers":[{"title":"Default Title","offer_id":45373804707949,"sku":null,"price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0163\/1814\/files\/vmohas.jpg?v=1782364092","url":"https:\/\/madhat-press.com\/products\/v-moha-s-by-t-thilleman","provider":"MadHat Press","version":"1.0","type":"link"}